Now, Auto Light and its 60,000 dealers and service stations present Suspense.
Tonight, Auto Light brings you Frederick March in The Night Reveals, a suspense play produced
and directed by Anton M. Leader.
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And now, Auto Light presents Frederick March in a tale well calculated to keep you in Suspense.
Hmm.
I should have known before that something was wrong, gentlemen.
You should have known by your eyes.
It was a queer looking, staring at me one minute and avoiding me the next.
Well, I came home late one Monday night and they were asleep.
My son, Johnny, my wife here, Marie.
I lay in bed reviewing my day's work.
I'm an investigator for the Herkimer Fire Insurance Company.
And while thinking about the fire on Second Avenue, I fell asleep.
And suddenly I was sitting bold upright, wide awake with a strange feeling of being alone
in the room.
I looked toward Marie's bed.
It was too dark to see.
I called Marie.
Marie.
No answer.
Got up, walked to her bed.
Quilt was bunched up.
I pulled the covers down.
The bed was empty.
In the bathroom?
No.
She wasn't there.
Not in Johnny's room either.
Johnny was alone.
Marie wasn't in the apartment.
I put on the light.
I looked at my watch.
It was two in the morning.
I got dressed and I walked out.
Rang for the elevator.
It was nothing, of course.
It was nothing important.
But my heart kept hammering away.
Morning, Mr. Jordan.
Kind of late for you.
Yeah, yeah.
Good morning, Steve.
Did you see my wife get on?
Oh, yes, Mr. Jordan.
About half an hour ago, I'd say.
Oh, yeah.
Yeah, of course.
You see which way she went?
Oh, yeah.
She went towards Third Avenue.
Said she was going to the...
Yeah, went to the drugstore, I guess.
That's right.
It's one over on 96th Street.
Open all night.
Thanks.
Thanks, Steve.
Ah, that was it.
She went to the drugstore.
I was worried over nothing at all.
But I didn't know what to do quite.
I didn't want to follow her, but the elevator boy was watching me.
So I strolled easily along towards Third.
I stood on the deserted dark corner.
I looked up and down the street.
Then I saw her coming.
She was walking toward me briskly.
Harry!
What are you doing here?
Well, I got up and saw you were gone.
Oh, I couldn't sleep.
I had a dreadful headache, so I decided to go down for some aspirin.
Oh, yes.
Yes, of course.
I went to the drugstore on 96th Street.
Yeah, but you were coming from 97th Street.
Oh, I took a little walk.
I thought some fresh air would do me some good.
Yeah, it's a nice night.
I've only been gone about 10 minutes.
Steve says you were gone about a half hour.
It was only 10 minutes.
What time is it now?
2.35.
I've been out for almost 15 minutes.
Oh, it's more than...
It was about 15 minutes.
No more than that.
Yeah.
Yeah, I guess so.
Everything seemed all right, but still I felt something was wrong.
We got into our apartment and we both went to bed.
Just lay there.
We didn't say anything.
Listen.
Huh?
A fire.
A fire!
Yeah, not far.
Over east a couple of blocks.
By the river, I'd say.
That's my district.
A fire!
Oh, what the...
Hello?
Hello, Harry.
Sorry to wake in the middle of the night.
There's a bad one over near you.
Between second and third, maybe a total loss.
But don't worry.
I'll be there.
I'll be there.
I'll be there.
I'll be there.
I'll be there.
I'll be there.
I'll be there.
A total loss.
Between second and third, Mr. Parminer.
An apartment building?
Yeah, 98th Street.
Uh-huh.
340 East 98th.
I called you because I'd like you to go there direct first thing in the morning instead
of coming to the office.
Uh-huh.
Okay?
I'll meet you there.
Yeah, okay, Mr. Parminer.
Good night.
A fire on 98th Street.
Yeah.
Yeah.
I couldn't see Marie in the dark, but I knew.
I knew she was staring at me.
I was very tired.
Good night, Marie.
Good night, Harry.
For suspense, Auto Light is bringing you Mr. Frederick March in Radio's outstanding
theater of thrills, Suspend.
Hey, hello, Auto.
Hi, Hap.
Say, uh, this week I've been helping my brother-in-law get the car ready for Memorial Day.
Before a whole week?
No, no.
While he was pushing her up the driveway, I just told him no need to wear yourself to
a frazzle.
Just get a new Auto Light stay full battery.
Needs water only three times a year in normal car use.
Why, an Auto Light stay full battery has more liquid reserve than a camel with water on
the knee.
Sure, sure.
Yes, sirree, I told him.
Forget those holiday worries.
Just remember the extra liquid reserve in an Auto Light stay full battery means less
danger from evaporation.
For real performance, just install an Auto Light stay full battery.
Needs water only three times a year in normal car use.
In all that time he was breaking his back pushing the car up the driveway?
About that time he straightened up and gave me a dirty look.
How was I to know?
I just decided to sacroiliac again.
And anyway, he shouldn't have anything but an Auto Light stay full battery in his car
for long trouble free operation.
Did he tell you then he'd buy an Auto Light stay full battery?
He sure did, but emphatically.
Fine, fine.
And now, let's get back to suspense.
And now, Auto Light brings back to our Hollywood sound stage, Frederick March as Harry in The
Night Reveals.
The tale well calculated to keep you in, Suspended.
Well the next morning I went over to 98th Street to inspect the remains of number 340
and to see if there was evidence of anything suspicious about the origin of the fire.
Mr. Palmer was there.
Yeah, there it is.
Got it.
Guess we'll be paying off on this one, all right?
Completely burned out.
Anyone hurt?
A few, but no one dead.
Lucky they just installed the new fire escape.
Just the walls left.
Hey, that fire must have been quite a sight in the height of its glory.
Yeah, yeah, quite a sight.
Say those walls look pretty bad.
Might collapse almost any time.
Yeah, the building will have to be raised.
Gee, that fire did a good job.
Oh, there's the commissioner.
Hello, Parmander.
I'm Jordan.
Hi, Mr. Morell.
You know anything about the fire, commissioner?
No, no, not a thing.
Well, now that you're here, we'll take a look.
No, I wouldn't go in there, Jordan.
Those walls...
I can take care of myself.
Maybe you'd better not go inside, Harry.
Don't worry about me.
I know fires as well as anyone.
You stay outside, Mr. Palmer.
I'm going in.
I went gingerly into the blackened ruin hallway, ashes and debris up to my ankles until I reached
the remains of the stairway.
Underneath were several baby carriages, just twisted pieces of metal.
A burned fragment of something fell nearby.
Come on back, Jordan.
I'm all right.
I poked around near the carriages, sifting through the fine, clean ashes.
Something caught my eye.
A blob of yellow metal.
I picked it up, and then I worked my way out.
She's burned through, hasn't she?
Yeah, cleaned through.
Nothing left of her.
Did you find anything?
No, nothing much.
Fire started in the hallway, all right.
It worked its way up.
Cellar's untouched.
What's that in your hand?
Oh, that's just a piece of metal I found.
Here.
What do you think, Commissioner?
It's probably one of those gadgets they have on baby carriages.
I guess you're right.
It isn't anything.
But it was something.
I had run my fingernail across this glob of metal, it looked like gold.
I would examine it in detail later at home.
Hello, Daddy.
Hello, how are you, Johnny?
Mama says I was bad today.
Harry, you're home early.
Yeah, I got through sooner than I expected.
What is it, Harry?
Your locket.
You're not wearing it.
You've never had it off before.
My locket?
Well, I...
Don't you really know what I'm talking about?
Well, I... don't you remember?
Daddy, can I go over and see Davy Taylor for a minute?
Yeah, yeah, Johnny, go ahead.
All right.
Gee, Daddy.
Well, you shouldn't have done that.
I didn't want him to go.
He hasn't had his dinner.
Never mind, Johnny.
What... what did you say happened to the locket?
Well, I gave it to you.
To me?
Well, I put it in your pocket to have it fixed.
The catch was loose.
I don't remember.
I put it in your pocket, Harry.
I forgot to mention it to you.
I wanted you to take it to the jewelers and get the catch fixed.
I just put it in your coat pocket while you were shaving.
When?
Yesterday.
Yes, yesterday morning.
Well, it should be in my pocket now.
I wore this suit yesterday, too.
Nothing in my pockets, Marie.
Well...
Marie.
Yes, Harry?
Is anything, uh, wrong with you?
I'm perfectly all right.
Not a thing wrong with me.
You look worried, as if you've got something on your mind.
It's nothing.
I've just been having a headache.
Maybe you ought to see a doctor.
No.
Really doesn't amount to much.
Well, I think I'll take another look for the locket.
Which suit did you say you put it in?
Your blue suit?
I think.
Or maybe it was the gray, though.
I...
I couldn't make it up.
What had she done with the locket?
Had she pawned it?
Had she given it away?
Then I remembered something.
I went in the bathroom, locked the door.
I looked at this shapeless little glob of yellow metal.
I rubbed the blackened spots away until all of it was gleaming.
I took a nail file out of the medicine chest and began to file it.
I kept filing until I had enlarged the crack to the full length of the piece of gold.
And I slipped the nail file inside and pried... pried it open.
Tiny fragments of glass, and then...
Then I saw a piece of scorched paper.
It was a photograph.
It was a picture of my son, Johnny.
This glob of metal was my wife's locket.
I put the locket and the picture in my pocket and walked out.
All through dinner and afterwards, I watched her.
She seemed very uneasy.
Finally, I went over to my pipe rack where I kept several books of matches in a jar.
There weren't any there.
Now I knew she was watching me, watching me closely.
I looked behind the rack.
There wasn't a match around.
What the devil happened to all my matches?
I have a match.
Here, let me light it for you.
Did you take the matches out of the jar, Marie?
Well, I...
Did you?
Yes, I needed them in the kitchen.
Shall I light your pipe for you?
I'll light it myself.
I picked a match out of the booklet.
It was a clean white match with a green head.
I struck it against the side.
The match spluttered up into a yellow flame, fringed on the bottom with blue.
Marie stared at it until I felt the sharp bite of the flame on my thumb.
Ow!
Burn yourself?
No, it's all right.
Would... would you like a nice hot cup of tea, Harry?
Oh, dear.
I don't think so.
I watched her.
Her hand casually brushed along the table and picked up the matches.
Marie.
Huh?
Leave the matches on the table.
I... I need them.
I'm rather short of matches.
The pilot isn't working.
Is this the only book of matches in the house?
I have to get some tomorrow.
Where... where are you going, Harry?
Let's get a drink of water.
No.
No, I'll get it for you, Harry.
Never mind, Marie.
I'll get it myself.
I went into the kitchen.
There was a paper bag alongside the gas range.
Matches all thrown in, held as skelter.
Books of matches and safety matches all mixed together.
I walked back and sat down in my chair.
You've been... you've been having headaches lately.
I... I'm just tired.
That's nothing serious.
Would you like to go away for a few days?
Take a vacation.
I'll get a maid to take care of Johnny.
I mean, it'll do you a lot of good.
No.
No, I don't need a vacation.
There's nothing wrong with me.
But Harry, there is...
Yeah?
There's... nothing to matter with.
You were about to say something else.
I... I've got to go into Johnny's room and see that he's covered.
He always throws the covers off.
I sat there looking after her, and then I glanced about the room.
There was the pack of matches lying open on the table.
I closed the cover.
And then I noticed her purse lying nearby.
It was bulging.
Harry!
What's the matter?
My... my purse!
Yes.
Yes, your purse.
Here, look.
Full of matches.
A dozen books sell them.
And these newspaper clippings.
Give it back to me!
Why are you saving these clippings?
Why do you carry all these matches with you?
Well, I... I bought the matches in the store.
A dozen for five cents.
And these newspaper clippings.
Fire on 112th Street causes severe damage to the
store.
Why are you saving these clippings, Marie?
There's nothing wrong with that.
I'm interested in your work.
I intend to keep a file on fires.
It'll help you in your work.
That's very considerate, Marie.
Oh, Harry.
You're so good.
Why should this happen to us?
About midnight, I went to bed.
Marie didn't follow me.
I lay in the semi-darkness, wide awake, trying to think what I should do.
Couldn't collect my thoughts.
Every time I closed my eyes, I could see the flame of that match.
Yellow and blue.
Crawling along the matchstick.
Drink this, Harry.
It'll help you sleep.
Why, what is it?
It's cocoa.
It's very good for you.
I'm not the one that's having trouble falling asleep.
We both couldn't sleep last night.
I'm taking some of this myself as soon as I go to bed.
All right.
Leave it on the nightstand.
Well, be sure to drink it while it's hot.
Yes, Marie.
I will.
Good night, darling.
Good night, Marie.
Cocoa.
And then suddenly I knew.
I looked around quickly for something to pour it in.
There was a radiator pan.
It was empty.
I poured the cup of liquid into it.
Then I laid back and waited.
I waited for her next move.
About an hour later, I heard the door open softly and Marie tiptoed toward my bed.
Harry.
Harry.
Are you asleep?
I didn't answer.
But breathed evenly.
She hovered over me for a moment and she tiptoed out, carefully closing the door behind her.
I jumped out of bed and hurried into my clothes.
Quickly I poured the cocoa from the pan into a bottle, put it in my pocket, and I grabbed
my coat and followed her.
It rang for the elevator.
She had only a few minutes headway.
I'd catch up to her easily and then we'd have a showdown.
Steve looked at me with controlled amazement.
Hello, Steve.
Hello, Mr. Jordan.
My wife went down a moment ago, didn't she?
Yes, Mr. Jordan just took her down.
She went toward Third Avenue, didn't she?
I think so.
She sort of stopped for a minute and then turned towards Third.
I had to get back the elevator because you were ringing.
When I reached the corner, I looked up and down Third Avenue and then I saw her.
She was walking north.
I crossed to the other side of the street and followed her, keeping at a distance.
At 98th Street, she turned east.
Down the middle of the block was the remains of last night's fire.
She stopped in front of the gutted building for a long time and just stood there looking
at it.
Then she walked inside.
I waited a few seconds and then followed her.
Marie.
Who's there?
It's me, Harry.
Harry, why did you get...
Come along, Marie.
We'd better get out of here.
The police.
I took her hand without a word she came along.
We walked home in complete silence.
We both knew.
When we came to our apartment house, I stopped and rang for the elevator.
In the light of the hallway, I could see her face, my wife's face, ashy gray, her eyes
brightened and painful.
You run upstairs, Marie, and I'll be along in a minute.
Harry, where are you going?
I'll be right back.
Please, Harry.
Don't do anything.
You run along, Marie.
You're not going...
No.
I'm only going to the drugstore to get something.
I'll be back in a few minutes.
I came home a half hour later.
She was waiting for me.
Did you do it, Harry?
Please, please, Harry, tell me.
I've got to know.
I had the cocoa you gave me analyzed.
Oh, I'm sorry.
I had to do it.
Don't you see?
I couldn't help it.
It's very easy for the druggist, especially when I told him what I thought was in it.
That stuff that makes you sleep through an earthquake.
Please try to understand, Harry.
You must understand.
Is the kid asleep?
Uh-huh.
Johnny's all right.
I was sorry for Marie.
She looked so haggard and worn.
It wasn't her fault.
I was sorry for myself.
My head was roaring.
I wasn't feeling too well.
I kept seeing sparks in front of my eyes.
I closed my eyes for a moment.
Let's go to bed, Harry.
Marie, we can do something.
Let's burn up every match, every match in the house.
We'll never bring another match in.
No.
No, Harry, we can't do that.
We don't want to.
No, no, not now, Harry.
Strange, isn't it?
That this should happen to me.
Me, a fire inspector.
That's funny.
Give me the matches, Marie.
All the matches.
No, I can't do that.
Give them to me.
I won't.
Please.
Please don't.
Please don't take them.
I'll do anything you want.
Anything.
Where did you hide them?
Tell me, where are they?
Inside the range behind the favor bays.
I dropped her hand.
She sank to the floor in a huddle.
Weepily.
And then I went into the kitchen and got all the matches.
Please, Harry.
Don't burn them up.
Look, Marie, look.
Look up.
See?
I'll light each book of matches one at a time until they've all gone up in smoke.
The yellow flame licked its way down the matches and the cover caught fire and blackened.
I watched her look at the flame with dazed eyes.
Listen.
Listen, Harry.
You hear?
Just someone in the hall.
It's more than someone.
Something's happened.
Something has happened.
I'll take a look.
The house is on fire.
Yeah, Marie.
Wake up, Johnny.
Johnny!
Johnny!
We'll have to hurry.
The flames are coming up the stairs.
There's an upward draft.
What's the matter, Mother?
The house is on fire.
We've got to get out.
It's too late to go down.
We'll have to go up through the roof.
Oh, I hurt my leg.
Come along.
Come along, Johnny.
Mother.
Wait for a minute.
Wait for a minute, Johnny.
Wait for Mother.
She'll come along.
No.
No, I want to wait for Mother.
It's all right, Johnny.
Go along with Daddy.
I'll follow you.
No, I won't go.
I won't go without you, Mother.
Hold out of my arm, Marie.
Come on.
Give me a hand, Johnny.
Don't be scared.
The fire won't hurt you.
It won't hurt you at all.
You're safe with me.
We made our way upstairs.
Slowly because of Marie's sprained ankle.
Finally, we got to the roof.
There were some firemen on the next roof about 10 feet separated the two buildings.
Don't get panicky.
We'll get you off safely.
Are we going to have to jump across, Daddy?
Mother won't be able to jump.
Her foot...
It's all right, Johnny.
Don't be scared.
They're putting a board across between the two roofs.
We'll just walk across.
All right, now.
One at a time.
Tie the rope around you and come across.
Johnny.
Johnny, you got to get up.
I'll go.
I'll go.
I'll go.
I'll go.
I'll go.
I'll go.
I'll go.
I'll go.
Johnny, Johnny, you go first.
Here.
Don't be afraid.
There.
Rope will hold you in case you slip.
Mother, you got to go first.
I'll go right after you.
Johnny.
You promise?
Go ahead, Johnny.
Mother will follow you.
And don't turn around.
Keep walking.
All right, the kids safe.
Now you, lady.
Be careful of the board.
Hey, the board slipped off.
Hurry, one of you guys, and get another board.
Coming up.
Mother, I want my mother.
Your mother's going to be all right.
You push the board off, Harry.
I saw you do it.
No, I didn't, Marie.
I didn't.
All right, mister.
Just tie the rope around her.
Now don't be afraid, lady.
And don't look down.
All right.
Ready?
I'm ready.
Okay, boys.
I'm ready.
All right.
All right.
All right.
All right.
All right, boys.
She's all right.
Now you, mister.
All right.
Johnny.
That's right.
Tie the rope around you.
All set.
Okay.
On the ground we stood there, the three of us watching the fire.
Great flames shot out, stabbing at the sky.
The top of the roof was burning down.
A red flame crawled along, searching out the inflammable spots.
And the wind was helping.
All this time Marie was shaking, shaking violently, but not with cold.
I pitied her.
And then she threw up her hands and shrieked.
Harry!
No, no, no, darling.
Don't.
I can't, Brandon.
We can't go on this way.
Please!
Police, come here!
Don't do it, Marie.
There's no need to let the police.
You don't know what you're saying.
Police!
What is it, lady?
Hey, you better calm down now.
Officer, pay no attention.
She'll...
No, no, no.
It's no use, Harry.
Officer, these awful fires, they're not accidental.
There's a pyromaniac, a criminal.
I know who it is.
You got to arrest the person, arrest him, so there won't be any more.
All right, lady.
What is this?
Who is the pyromaniac?
The criminal is my husband, Harry Jordan.
This man here.
I'm going to arrest him.
Well, that's about all there is to the story, gentlemen.
And then I was brought here.
She must have sounded kind of painful for you to hear it all over again, Marie.
No, it was all right, Harry.
I wonder, I got a cigarette.
Could I...
No, I'll light it for you, Harry.
You don't have to worry.
I won't try to keep the matches.
She's been awfully good to me, gentlemen.
You'll take good care of her, won't you?
She tried everything to help.
Hid the matches so as to keep them from me.
She even tried to give me sleeping pills, so I wouldn't...
It's all right, Harry.
I'm sorry about the locket there.
It must have fallen out of my coat when I was in that building at 98th Street.
It's all right, Harry.
You can buy me another one.
Sometime.
You can't blame anybody for liking fires.
It's not their fault.
Fires are beautiful to watch.
So bright and clean.
They burn up all the filth and dirt.
They're magnificent to watch, especially the big ones.
The way the flames roar and crackle, lighting up everything around you.
The beautiful fire.
Thank you, Frederick March, for a splendid performance.
Say, hello.
You and your brother-in-law are still friends?
Why, of course we're friends, half.
We have so much in common.
Both of us think an auto light stay full battery is wonderful.
Why, it needs water only three times a year, normal car use.
And he appreciates the fact that auto light stay full batteries are made by Auto Light,
the makers of over 400 products for cars, trucks, airplanes, boats.
In 28, Auto Light plans from coast to coast.
Yes, sirree.
And Auto Light also makes complete electrical systems for many makes of America's finest
cars.
Batteries, spark plugs, generators, starting motors, coils, distributors.
All engineered to fit together perfectly, work together perfectly because they're a
perfect team.
The lifeline of your car.
So folks, don't accept electrical parts that are supposed to be as good.
Remember, you're always right with Auto Light.
And now here again is Mr. Frederick March.
It's been a real pleasure appearing on Suspense tonight, working with this fine cast, especially
Jeanette Nolan, who played Marie.
And I'm looking forward with great interest to listening next week when radio's outstanding
theater of thrills brings you Joan Crawford in The Ten Years.
Another gripping study in Suspense.
Frederick March is soon to be seen with his wife, Florence Eldridge, in the new film Christopher
Columbus.
Tonight's Suspense play was adapted by Sigmund Miller from the story by Cornell Woolrich
with music composed by Lucian Morrowick and conducted by Leith Stevens.
The entire production was under the direction of Anton M. Lieder.
Next Thursday, same time, here, Joan Crawford in The Ten Years.
You can buy Auto Light staple batteries, Auto Light resistor spark plugs, Auto Light electrical
parts at your neighborhood Auto Light dealers.
Switch to Auto Light.
Good night.
This is CBS, the Columbia Broadcasting System.