280 PAINTING MATERIALS of miniver, or ermine, and some of the quality of the brush must have been lost by the trimming that he suggests, with scissors (Thompson, pp. 40-41). The regular brush for modern oil painting, because it is stiff enough to draw out a fairly heavy and paste-like mixture, is made of hog hair, usually bleached white. In the Far East, brushes are commonly mounted in bamboo and have some- what more specialized selection according to use than is common in the West. The hairs of deer and wolf will be combined, for example, into a brush for certain kinds 3 d FIGURE 2. A few of the Chinese brushes described and illustrated by Sickman: (a) a small brush of deer hair made for drawing and having two reducing collars, the smaller one a silver tube; (b) a plain, pointed brush of pure goat hair with the usual bamboo handle; (c) a goat hair brush set in an enlarging holder of ivory attached to a handle of bamboo which carries a loop for hanging—a brush for large ink painting or for inscrip- tions; (d) a brush of chicken feathers pressed open; (