i8o PAINTING MATERIALS
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E. S. Larsen and H. Berman, 'The Microscopic Determination of the Non-Opaque
Minerals/ Bulletin 848^ U. S. Department of the Interior, Geological Survey (1934).
A. P. Laurie, 'The Identification of Pigments Used in Painting at Different Periods,
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(i93°)> PP- 162-179.
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(London: Longmans, Green and Co., 1922-1937).
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1849).
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C, Ainsworth Mitchell, Inks: Their Composition and Manufacture (Philadelphia: J. B»
Lippincott Co., 1937).
J. R. Partington, Origins and Development of Applied Chemistry (London: Longmans,
Green and Co., 1935).
A. G. Perkin and A. E. Everest, The Natural Organic Colouring Matters (London:
Longmans, Green and Co., 1918).
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Colours/ pp;> 44-48.
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pp. 222-239.
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(London, 1847).
Theophrastus*s History of Stones, trans, by Sir John Hill (London, 1774).
Daniel V. Thompson Jr, // Libro del? Arte, The Craftsman's Handbook of Cennino
d* Andrea Cennini, a vols (New Haven: Yale University Press, 1932-1933).
The Materials of Medieval Painting (London: George Allen and Unwin, Ltd, 1936).
'Trial Index for Mediaeval Craftsmanship/ Speculum, X (1935), pp. 410-431.